Cut-out trend // Five emerging talent to look up if you love cut-out!

Cut-out: the adapt trend to reach the hyper uranium of femininity through the knowledge of our own body who dialogues with cutoff of the dress exhibiting skin.

After the lock period lived in this last two years – definitely, not passed at all – where the need of cover went hand in hand with the concept of protection, the Fashion System has decided to get some air! Thus, it studies, cuts, deprives and reshapes the clothes. The result: open and sensual dresses where skin – of our body – is the main character and becomes integral part of the outfit, without the fear of vulgarity.

Here five designers who intend to cut-out.

Mega Mikaela

From garments and yarn, the designer proposes wearable creations to empower body and shapes. Obviously, knitting is a technique very adapt to exhibit our skin. Mikaela make it through a lot of processing and stitches.


Nicola Bacchilega join his skills with the artisans’ know-how to design sculpture clothes with a focus on recycled materials. He makes sustainable art! His design involve materials, pattern making and body creating style and movement.

Wannes Akop

Femininity! Looking his outfit we can say, without any doubt, that he is reaching for the apotheosis of womanhood. Shining fabrics, he use, design an aura that go far beyond a normal product to wear. His woman have to be flamboyant, she must raise with her style.

Julia Bajanova

“Unique wearable exuberance”, she chose the perfect words for her project. The designer covers bodies with transparent garment finishing them with imperceptible details. Don’t look at her like a designer who express nudity, instead of, look at her with a nebulizing aura of mystery.

Kasia Kucharska

Her innovative work takes roots into lace origins. Lace is one of the most used material for femininity and sexuality, but she use it in a different way. Starting from lace, Kasia developed her designs with silicone make it visible, without hiding it and using it with ornamentation.


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